The Upskirt Exhibitionist by Ray Gordon

Turned out is a new term for me and one that is perfectly understandible especially after reading this wonderfull book. Its kind of every guy/girls fantasy rolled up into one story and you cannot put it down. I have had conversations with people about said book and truly believe girls who are sluts, but some one you can bring home to mom, would save numerous marriages. Not to be hypocritical, but if guys acted this way a bit it would probably make things better in a relationship.
I highly recommend this smart and erotic smut for any one who enjoys new and exciting stories.

Start Your Own Adult Web Site Business by Stephan Kent

Not a bad book. Maybe it was just me, but it seemed it just didnt have what I was looking for. It seemed to be outdated.

“… content. Ebony content and sponsors work nicely with ass content. Upskirt and panty sites work well with a butt site. 51 …”

How To Get Your Own Groupies: The Groupie Manual by Peter Bawls

So raw!! This book talks about how guys can go downtown and actually get groupies (girls that are sort of looking to go home with the best “partiers”). Some very useful info and tips on how to get the most out of your experience when you go out on the town. Not the longest book, but the few pictures in this book are so funny! I have never seen guys actually lift 2 girls at once and seemingly make a sport out of it. I am dying to go use some of the “how to get free drinks” tips!

“… steal from bars. 3) Take an up-skirt photo of a girl. If you do this it is usually a hot girl. …”

Turned Out! by Reggie Chesterfield

What can I say about this book? It’s filthy, it’s vile, it’s uncompromising, it’s disgusting, and it’s disturbing. It’s taboo in EVERY way, AND…it’s one pretty quick read, also.
In a word, it’s PERFECT!!!
Dave thought he had it ALL. But then, his buddy Charlie set his ass straight. And then together, they sent Dave’s love Julie down the road of complete sexual EXCESS. This book is phenomenal, IMHO.
It pulled together many things in my head that I have always wanted to see written about, and it put it all together in a way that is intelligent and honest. Mr. Chesterfield writes about Julie (near the end), ‘A lot of people would not like the way she was, but she didn’t care.’ He tempers this though, by adding, ‘Most people can’t handle honesty especially when it deals with human honesty and desire.” I know for a FACT that this is GOSPEL.
This book breaks MANY socially accepted norms, but does so with the undercurrent of THERE’S NOTHING WRONG WITH SEEKING OUT YOUR OWN PLEASURE AS LONG AS YOU’RE NOT HURTING ANYONE.
Charlie and Dave DON’T turn Julie out just to turn her into a slut…they do it to help her enjoy life more, which she (and many others) does because of this.
Julie: “I’m kind of mad at myself because of all I was missing out on.”
The Librarian: “People really limit themselves by not considering all of their options…” is the TRUE undertone of this novel. People DO limit themselves, and not just sexually, within the IMAGINARY confines of what is PERCIEVED to be ‘Normal’ (I know I have), and I’m SICK of it.
Who says a book about sex and ‘perversions’ (although happy ones) can’t change your life, and make you see things in a new (and MUCH more enjoyable) way.
To Mr. Chesterfeild, if you ever read this, I want you to know that I have TWO copies of this book. The digital version was just NOT enough for me; I just HAD to have it in my hands to be able to read it again and again and again (and I’ve read it FOUR TIMES already) it’s THAT good.
Be prepared to have what you BELIEVED to be ‘normal’ living challenged, because, THIS BOOK is NOT about to take ANY prisoners of your preconceived notions of life, in general.

A Certain Chemistry: A Novel by Mil Millington

This book captured the complex creature known as man. The author does a tremendous job of involving us in the life of Tom, his girlfriend Sara, and his mistress, George. Through his relationship with these two women, and also the wonderful supporting characters, we see Tom at his best (and his worst). Tom is a ghostwriter with a vivid imagination, and we’re treated to some of his musings through some hilarious scenes - the book is witty, at times laugh out loud funny, and yet the writing still maintains class and even a `message’ about human nature. In fact, some of the best portions of the book are the introductions to each chapter, which are written by “God.” I’m very pleased to have found this book and would highly recommend it to anyone looking for quality reading material with an edge.

Vanity Fair August 2008 Kristen Stewart. Blake Lively, Emma Roberts, Amanda Seyfried Hollywood’s New Wave by Vanity Fair

WordTheatre Presents: Fatso by Leelila Strogov [MP3 Audio Download] by Leelila Strogov and Amanda Seyfried

This is an audio download. Written by Leelila Strogov. Performed by Amanda Seyfried. WordTheatre’s Love Hurts series focuses on souls dazed and confused by this thing we call ?love?. MTV Movie Award winner AMANDA SEYFRIED gleefully portrays a high school beauty who, quite unexpectedly, finds meaning and possibility with the fat boy in her class, in Leelila Strogov’s ?Fatso?.

Teen Dreams: Reading Teen Film and Television from ‘Heathers’ to ‘Veronica Mars’ by Roz Kaveney

This book contains an interesting analysis of teen movies and television. It mentions 86 films&shows, and of these the following get an in-depth treatment:
10 things I Hate About You
Adventures in Babysitting
American Pie
Bend It Like Beckham
The Breakfast Club
Bring It On
Buffy the Vampire Slayer
Clueless
Cruel Intentions
Ferris Bueller’s Day Off
The Girl Next Door
Heathers
Mean Girls
Popular
Pretty In Pink
Saved!
She’s All That
Sixteen Candles
Some Kind of Wonderful
Veronica Mars
Weird Science

There’s an index, which considerably increases the books usefulness. Reading the book once from cover to cover gives an overview of the genre and made me decide to check out some movies I hadn’t seen, while the index let’s you find the analysis for a specific movie.

“… Gretchen are a comic turn, but so well performed by Amanda Seyfried and Lacey Chabert as to come across as figures of …”

Play the Songs That Inspired Mamma MIA! by Abba

Wonderful sheet music-just a joy to play. I’ve been playing piano for about 8 years (about 2 very seriously) and this book was still a good challenge. The arrangement isn’t annoyingly jumpy or easy-it is simply hard to play the songs at a fast tempo with the left hand. In comparison with other sheet music, it is a little higher than “RENT” and “Footlose”. All the main songs are here, and great value

Mamma Mia! How Can I Resist You?: The Inside Story of Mamma Mia! and the Songs of ABBA by Judy Craymer, Benny Andersson, and Bjorn Ulvaeus

After reading the 1994 book “ABBA-The Complete Recording Sessions” by Carl Magnus Palm, I thought I read all I ever would about how ABBA recorded some of their best known songs. However, this coffee table size book delves into greater detail on the origins of the 22 ABBA songs in the worldwide smash musical “Mamma Mia!” as well as great detail on the origins of the musical itself. It also goes into great detail on the foreign language versions of the musical. Any dismissive critics of ABBA (and you know who you are) would have to admit that Benny Andersson and Bjorn Ulvaeus (the two “B”s of ABBA) really knew what they were doing when they recorded all of those songs, based on all of the comments the 2 former ABBA members made regarding the ABBA recordings in this book. Hopefully it will be updated to include more info on the Russian language version that opened in Moscow in the fall of 2006.
And yes, the book contains plenty of photos of ABBA and the Mamma Mia! musical!!!
I also hope they update the book for the summer 2008 release of the film version. Meryl Streep and Pierce Brosnin will star!!!

The Very Best of Abba by Dannhauser, A. L., and A. l. Dannhauser

This folio has a few things going for it: great photos of ABBA and a great transcription of ABBA’s music. The songs sound wonderful. But…

The lyrics are totally wrong for some of the songs. One major song with multiple lyric errors is “I Am The City.” This is a song which I’ve never seen in any other folio so I had to have this folio for the music. But the lyrics are laughable. Who came up with some of these?

I recommend it if you’d like to be able to play great-sounding songs of ABBA, but ignore the lyrics.

Bright Lights Dark Shadows: The Real Story of ABBA by Carl Magnus Palm

BRIGHT LIGHTS DARK SHADOWS is absolutely compelling; although the chapters are largely self-contained, the hooks leading into the next chapter (and the opening paragraphs of each chapter) are irresistible. I often found myself beginning to read a new chapter when I swore I would stop at the end of the preceding one.

Part I is gripping from the start of Chapter 1. I was impressed for several reasons. First, the personal and industry backgrounds on the four members and Stig are usually glossed over in other books. Here, the sketchy details are fully filled in, and it’s
fascinating reading.

Second, Carl Magnus Palm puts everything in its cultural and historical context with information about the regions where each member grew up, the origin of the various Swedish charts etc. He expresses an authentic feel for the times and for his country
and its people.

Third, the narrative flows beautifully. Although it’s largely chronological, it feels fresh - the first four chapters don’t just go through each member one by one, the book has been better planned. It seems perfectly natural that we don’t arrive at the childhood of the youngest member, Agnetha, until we’ve learnt about Stig’s background and followed the others into their teenage years.

There isn’t as much public information available about each member’s childhood, which must have made it difficult to piece a lot of these facts together. The book really begins to hit its stride with the early chapters of Part II. In Chapter 12, Palm
begins to weave the various stories together. There’s such a lot that isn’t known about ABBA’s formative years, there’s a real joy of discovery in these chapters. Palm’s tone is also more assured at this point - he slips in some reasoned criticism of each member’s early recordings - and he injects some satirical, but affectionate, humour into the reportage. I loved the style on pages 177 and 178, for example, when Agnetha recounts her “baking accidents” and the bemused tone when Frida decides to throw it all in and “become a clothes designer”.

An impressive feature of the book is its succinctness. That may sound funny, since BRIGHT LIGHTS DARK SHADOWS is over 500 pages, but it’s a fair assessment. The Habari Safari movie takes up about a page; the progg movement is concisely charted and explained in a few pages. He sums up the sound and limitations of Gemini in one pithy phrase - “studio product, shoulder-pad music sorely lacking in soul” - and is equally spot-on with Agnetha and Frida’s 80s solo efforts. Although I didn’t accept his criticism of Djupa Andetag, it is a rational critique, and I admittedly suffer the disadvantage of not being able to understand the album’s lyrics in their natural language.

Part III - The Time is Right - covers Waterloo through to 1982. The material is generally more familiar here; for instance, I could usually be sure of what incidents would be included in each chapter (other fans, as opposed to the general public for whom this book is also written, may be as acquainted with this part of the ABBA story to feel the same).

Fortunately, although a large part of this slab of the book is taken up with recounting events, Palm is not writing a mere overview of the ABBA years. He’s writing a biography, and the significance of events on ABBA as people is analysed; he keeps
sight of the biographer’s purpose in representing the big picture. Occasionally, this is of necessity a little strained - the psychoanalysis of Frida (p. 508) didn’t entirely convince me, for example.

After reading BRIGHT LIGHTS DARK SHADOWS, I’ve learnt as much as I think I’ll ever know about the people that make up ABBA. Ultimately, it’s eye-opening and - towards the end - dispiriting reading. But you get a real sense of the demands and pressures that they were going through - the chapter on 1978, supposedly a quiet year for ABBA, makes this plain. As the business side of Polar consumed Stig, and the marriages collapsed, I think it’s clear that the ABBA “magic” was a relatively short-lived
alchemy of personality, managerial drive, talent and determination in a specific historical and cultural setting. But it wasn’t a fluke - it wouldn’t have lasted as long, over as many unambiguously great albums, if it was.

You’ll understand a lot more about ABBA, and I think you may even better appreciate the music, after reading BRIGHT LIGHTS DARK SHADOWS. It’s the first real biography of ABBA but, more than that, it’s the definitive biography. And it’s the standard against which all future attempts at retelling the ABBA story will be judged.

ABBA: The Book by Jean-Marie Potiez

If you are an ABBA fan, then you will love this book. The book takes you into the lives for 4 very special musicans.

Robin has been saved from the Sheriff of Nottingham’s trap by a good knight , who gave him protection in his castle. The sheriff rode away to London to seek the help of King Richard.

How King Richard Met Robin Hood

With the Sheriff gone, it was safe to leave the castle and Robin returned to Greenwood with his men, many of whom had been wounded. A day or two later, the knight went out hunting along the river with his hawks.

But the sheriff was waiting for him. His archers caught the knight at a bend in the river, and there was no escape. The sheriff took him back to Nottingham as a prisoner, bound hand and foot. When the knight’s wife heard the dreadful news, she rode out to Greenwood to find Robin Hood and to beg him for help.

‘Dear Robin Hood,’ she said, ‘For our Lady’s sake grant me this boon. Never let my wedded Lord be shamefully put to death like a common criminal.’

Robin, who himself was no common criminal, would not leave his friend to such a fate. He chose twenty of his best archers and they rode straight into the City of Nottingham, not even bothering to wear disguises.

They found the Sheriff and his bodyguards on the steps of the law courts.

‘Good sir, what news of the King?’ called out Robin. But he did not wait for a reply. He fired his arrow directly at his enemy, the sheriff, and struck him dead. Then his men attacked the guards with their swords and put them to flight. They rushed into the courts and down to the cells, where they found their friend.

‘Good Sir knight,’ called out Robin, ‘Come with me to Greenwood through the moss, the mire, and the fen.’ And the Knight was only too happy to ride with Robin to the forrest and to freedom.

News of this lawlessness soon reached the King in London, and he decided to waste no more time in coming to Nottingham to restore order.

When the King Richard reached the city, he called all the elders and local dignitaries to a council.

‘This is my decree,’ said the King. ‘Who so ever shall bring me the head of the errant knight will receive his castle and all his lands.’

Many around the table murmured their approval, and only one wise old knight dared to speak an opposing view:

‘My liege. There is no living soul in this country who may enjoy the lands of my fellow knight while Robin Hood rides free with a bow in his hands.’

And all had to agree that the wise old knight spoke nothing but the truth.

‘So does anyone have a better plan?’ asked King Richard. But no one around the table could think of one.

That evening, a forester asked permission to speak to the king. He was brought before his majesty and spoke as follows:

‘Sire. If you wish to meet with Robin Hood, you should take five of your best knights and ride with them to the Abbey. There, put on monks’ habits and then make your way to Greenwood. You will meet with Robin Hood soon enough.’

The king saw the cunning of this plan, for surely even the lawless Robin Hood would not fire their arrows into a group of traveling monks.
Later that night, The king and his five best knights rode over to the abbey to borrow some clothes. The king chose a broad hat, which he wore over his crown, so that he looked like the abbot. His knights pulled monks ‘habits over their armoured breastplates.

The King did not have to travel for very long through Sherwood Forrest before he met with Robin’s men. Naturally, the outlaws believed him to be the abbot - who was famous for his high living and his greed. They brought him, together with the five knights dressed as monks, to their leader under the Greenwood tree.

Robin declared that the abbot must stay a while in Greenwood, and hand over some of his gold for charity.

The King in disguise replied that he was carrying but forty pounds, adding:

‘For I have been in Nottingham this past week, and I have spent much gold entertaining the king.’

Robin divided the forty pounds, half for the families of his men who had recently been killed or wounded, and the other half he returned to the man dressed as an abbot saying:

‘Keep this for your spending. We shall meet another day.’

The King replied with an invitation to Robin to come and dine with him in Nottingham. Robin admired hisspirit and replied:

‘Indeed I will. But for now, Sir Abbot, stay a while and dine with me under the yew tree.’

Robin blew his horn and seven men came and kneeled before him. He commanded them to stand up and draw their bows. The King thought that they meant to kill him but happily he was mistaken. Robin declared that there would be shooting match, and who so ever would miss the target should receive a blow. Will Scarlet, Little John and Gilbert all hit true but Robin missed his target by three fingers width. And Gilbert said:

‘Master. You must pay.’

‘Indeed I must,’ said Robin, and turning to the abbot said:

‘My honoured guest. Do me the service of a blow.’

The King protested that he would do no harm to a good yeoman of the forrest, but Robin said: ‘Dear Abbot, you hit me with my full permission. In fact, I insist.’

Then King Richard the Lionheart rolled up his sleeve and gave Robin such a blow that he laid him out on the ground. It was almost a minute before Robin opened his eyes and was able to sit up. He was about to congratulate his guest on the strength of his arm when the king through off his hat and revealed his crown. Robin and the Knight recognised their king right away and kneeled before him. And shortly after, so did all of his men.

‘Good sire,’ said Robin at length, ‘If I have shown you hospitality, grant me this boon. Pardon me and all my men for our crimes’

And the king gladly granted his Royal Pardon to Robin Hood.

And that’s the story of how King Richard met Robin Hood. Bertie says that most of our stories about Robin Hood come from an ancient ballad called ‘A Gest of Robin Hood’ that was written around the year 1450. And although Robin Hood was a real outlaw who committed crimes, he was supported by the people because the Sheriff was unjust.

h o r r o r . a d d i c t s: people who are physiologically or psychologically dependent on items depicting macabre events.

Horror Fiction Stories:

http://m.podshow.com/media/18914/episodes/119929/horroraddicts-119929-07-25-2008.mp3

http://m.podshow.com/media/18914/episodes/124855/horroraddicts-124855-09-04-2008.mp3

http://m.podshow.com/media/18914/episodes/125521/horroraddicts-125521-09-11-2008.mp3

http://m.podshow.com/media/18914/episodes/126154/horroraddicts-126154-09-18-2008.mp3

http://m.podshow.com/media/18914/episodes/126825/horroraddicts-126825-09-25-2008.mp3