The Turn of the Screw by Henry James

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September 21, 2008

This is an early examination of a deterioration of the human psyche. It’s a dark psychological thriller told by a woman who finds herself scattered by fleeting emotions and unseen torments. From the start, the protagonist’s mind seems to flow in several different directions, showing the portrait of a very insecure woman. I think that the purpose of the lengthy language is to serve as her very personal outlook on the situation, on herself. Henry has put himself fully in her position to achieve the purpose of forcing the reader to do so as well.
I tend to dislike films or books that depict mental illness as an organized or curable disorder. Something that can be easily fixed by medical advances or hope alone. The truth of the matter is much more dark. Insanity is not something to romanticize about, although there is certainly speculation of mental illness furthering artistic insight. (an example would be Virginia Wolff, or Vincent van Gogh) But Henry James does not view the woman’s hallucinations with hope for her recovery.
The author has always shown particular interest in insanity, not from the vantage point of an onlooker or professional…but from the direct and unaltered view of the person suffering the hallucinations.
There actually are ghosts in this book, but the kind that are much more sinister and real in that they only exist to this one woman. She’s alone in her hallucinations, completely unable to share the nightmare that has taken over her mind, left to bare it by herself. I think that’s truly more frightening than the thin plot of any other ‘ghost’ story.
I recommend this book for several reasons; it has an intriguing plot, is an exploration of psychological aspects, and ends with a suspenseful finale.

The reader: Ms. Doolin sounds like a professional. Her reading is polished, using pauses and inflection to great effect. I found it interesting to compare the voice of the narrator from the first chapters where she is bright and innocent to the later where you can hear the suspicion in her voice. The other characters are not given full-fledged voices, but Ms. Doolin alters her diction and pitch enough to let us know who is talking. The recording is clean and noiseless.

Source: Librivox
Length: 5 hr, 43 min
Reader: Nichole Doolin

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