An audiobook is a recording that is primarily of the spoken word as opposed to music. While it is often based on a recording of commercially available printed material, this is not always the case; nor is this required to fit the definition of an audiobook, which is why “audiobook” is one word rather than two. It was not intended to be descriptive of the word “book” but is rather a recorded spoken program in its own right and not necessarily an audio version of a book. They are especially good for car rides, for people who have trouble reading or don’t like to read or for the blind.

Spoken audio was originally primarily available in school and public libraries and to a lesser extent in music shops. It was not until the 1980’s that there began a concerted effort to attract book retailers. As book publishers entered the field of spoken-word publishing, the transition to book retailers carrying audiobooks became commonplace on bookshelves rather than in separate displays. To put it simply, it is the context of a regular book read and recorded onto a means of media such as CD Roms or Cassettes, which can be an advantage to the blind or illiterate.

Audiobooks are usually distributed on CDs, cassette tapes, downloadable digital formats (e.g., MP3 and Windows Media Audio) and, most recently, some preloaded digital formats (e.g., Playaway).

The term “books on tape” was frequently and erroneously used as a synonym for audiobooks when the majority of audiobooks (then called “spoken word audio”) were available on cassette, but BOT was a company that actively attempted (often failing) to protect its company name from generic use. With cassette tapes no longer the dominant medium for audiobooks, this has become a non-issue.

In 2005 cassette-tape sales made up roughly 16% of the audiobook market,[1] with CD sales accounting for 74% of the market and downloadable audio books accounting for approximately 9%. In the United States, the most recent sales survey (performed by the Audio Publishers’ Association in the summer of 2006 for the year 2005) estimated the industry to be worth 871 million US dollars. Current industry estimates are around two billion US dollars at retail value per year.

Most new popular titles put out by the audiobook publishers are available in audiobook format simultaneously with publication of the hardcover edition. The first example of this simultaneous publication was when Caedmon published the spoken recording of Norman Mailer’s Ancient Evenings. There are more than 50,000 current titles on cassette, CD or digital format.

Unabridged audiobooks are word for word readings of a book, while abridged audiobooks have text edited out by the abridger. Abridgements were initially necessary to keep down the running time, and therefore the cost and corresponding retail price, as the general consumer was getting introduced to audiobooks. With greater consumer acceptance, less consumer price resistance and higher per title sales for some pricing economy, more of the audiobook titles are now being released only as unabridged recordings. Audiobooks also come as fully dramatized versions of the printed book, sometimes calling upon a complete cast, music, and sound effects, though many consumers have indicated a preference for less music, multiple voices and sound effects. Each spring, the Audie Awards are given to the top nominees for performance and production in several genre categories.

There are quite a few radio programs serializing books, sometimes read by the author or sometimes by an actor, with most of them on the BBC.